Synecdoche New York Poster Buy
Synecdoche, New York (pronounced /sɪˈnɛkdəki/[3]) is a 2008 American postmodern[4] psychological drama film written and directed by Charlie Kaufman in his directorial debut. It stars Philip Seymour Hoffman as an ailing theater director who works on an increasingly elaborate stage production and whose extreme commitment to realism begins to blur the boundaries between fiction and reality. The film's title is a play on Schenectady, New York, where much of the film is set, and the concept of synecdoche, wherein a part of something represents the whole or vice versa.
synecdoche new york poster buy
When Caden enters Adele's flat, the buzzer pressed (31Y) bears the name "Capgras". Capgras delusion is a psychiatric disorder in which sufferers perceive familiar people (spouses, siblings, friends) to have been replaced by identical imposters. This theme is echoed throughout the film as people are replaced by actors in Caden's play.
Charlie Kaufman's directorial debut Synecdoche, New York just premiered at the Cannes Film Festival (read about the reaction here). In the last couple weeks, we've brought you production photos and video clips, and now IonCinema brings us the movie poster. I love the imagery of Hoffman overlooking the endless tables of papers. It gives you the feeling of exactly how much of an undertaking it would be to recreate New York City inside a warehouse.Synecdoche, New York stars Philip Seymour Hoffman as a theater director named Caden Cotard, whose life in Schenectady, New York is looking bleak. His wife Adele has left him to pursue her painting in Berlin, taking their young daughter Olive with her. A new relationship with the alluringly candid Hazel has prematurely run aground. And a mysterious condition is systematically shutting down each of his body's autonomic functions. Worried about the transience of his life, he moves his theater company to a warehouse in New York City. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside. Catherine Keener, Michelle Williams, Samantha Morton and Tilda Swinton co-star.
A couple of smaller horror films will also see release this October. Splinter is a quick cheapie that should be able to cash in on some of Let the Right One In's success. As it is also a part of Magnet's Six-Shooter film series. The plot finds a kidnapped couple and their captors holed up in a gas station as an alien being terrorizes them from the outside. Hiding in a beer cooler, they only manage to escape by a hair's breath. The creature is sort of cool, with giant black needles protruding from its thick-pitched oily skin. But it would have worked better as a short film, as the eighty minute running time is dragged past any plausible possible compensation. The acting is pretty solid, but the action is deaf and dumb. They could have shortened this thing down to five minutes, and made it the really cool opening prologue to a much better film. Splinter gets a mild Boo! Hitting the October horror festival rounds will be Jack Messitt's quick hitting cult flick Midnight Movie, a messy little squirmer that truly lives up to its name. The story finds an old slasher icon from the seventies crawling out of his own film stock and into an audience full of midnight patrons. It's a lot of fun, the killer's mask is great, and the kills are quite astonishing. It gets a big Whoop-doo! And then there is The Haunting of Molly Hartley, a movie I know absolutely nothing about. At first glance, it looks like another PG-13 screecher for tween girls. But Freestyle Releasing has assured us that this supernatural tale is quite deserving of that big fat red R rating they've slapped on its poster. It does take place at a private school for girls. So maybe there will be some soft porn boobage on display. I doubt it though. The only thing scarier than me without any pants on is an R rated scarefest without any nubile young ladies going sweaterless. It's a skip. And it gets a disinterested Boo! 041b061a72